Here is a list of my favorite Bass Projects (EP/LPs) of 2024
41) Kizer – Recursion EP
Looking for something that quenches your music listening thirst?
Try the Recursion EP from Kizer. Tracks like Abnormal and Enhanced are especially keen to my appreciation for glitch. This whole EP stands together as something new and interesting in the field of bass music. Don’t believe me? Why not give Kizer’s Recursion EP a listen for yourself?
40) Zach Christ – 𐘲(𐘨)𐚎𐘲𐝥𐃀𐘡𐘴𐝂.
Zach Christ resurrected the dopest hyper-glitch soundscapes I’ve heard in recent times. This project is absolutely bonkers and deserves a listen from any self-proclaimed introspective listener. I return to this project often when looking for inspiration or queues on how to produce the nastiest and dirtiest glitch. Looking for something different from your average bass tune, something experimental and abrasive? Look no further.
39) VANM – ACTIVATE EP
I don’t know why I like riddim, but I do… something about the feeling of marching the collective unconscious with alien sound effects over thick sub bass and repetitive, lurching beats. It’s quite obliterating. Speaking of obliteration, here’s VANM’s ACTIVATE.
38) Ooga – Brain Legs EP
Ooga blesses listeners with a party in our ears, bringing the fiercest beats we’ve heard from the caveman. What’s going on? Ooga sounds like he’s waging cave war with a rival tribe. We listeners wish a safe and speedy end to this war, but in the meantime, our ears are extremely pleased with the inspiration.
37) Crawdad Sniper – Mellifluous
I’m adding Mellifluous exceptionally late, and honestly it deserves higher in the list, but wasn’t something I found until today. But Mellifluous is from 2024 and I want to make sure it gets recognition. These grooves are funky and exciting to the ears. I needed Crawdad Sniper in my vocabulary much sooner, shame on me. Really digging this project. While I gravitate toward the heavier and grittier, Mellifluous scratches an itch.
36) Aweminus – GURNVILLE EP
Featuring massive sub bass, chaotic drops, variety in genre, Aweminus slams the goofiest dunk we’ve heard in awhile. This project is wonky and head rattling like mid 2000’s tear out dubstep. A nostalgia is present throughout the project, from the bleeps and bloops of Gurnville to the drum n bass of “All The Way Down”, this project satisfies many needs across many genres.
35) Isotropic – Refraction Spaces
I discovered Isotropic dwelling in the land of hyper glitch, a term coined by Woulg and fellow glitch.cool artists. A term to describe the morphing of bass and intelligent dance music. I enjoyed this project, a combination of emotional ambiance and far-out, IDM inspired sound design. Isotropic is easily the most underground on the list with a total of 75 followers, but the project inspired me to push sound design, and fine tune my ambient drone.
“Refraction Spaces” is less danceable, and more of a cereal, heady experience, daring the listener to buy the ticket and take the ride.
34) BackLeft x Phunk Bias- Amateur Hour [WPN009]
Looking for heavy neuro drops, punishing glitch-scapes and funky fun? This halftime project is what you’ve been awaiting. Upbeat, funky halftime beats to rock there soul from two heavy hitters in bass music. What an unexpected surprise?
33) EXECUTIONER – CRAWLER IN CRAWLER
Executioner is one of my favorite names in dubstep and has been for a while.
I was pleasantly surprised to see the release of “Crawler In Crawler. EXECUTIONER delivers just like his name implies, beheading sound design and chaotic atmospheres. If you’re looking for the darker side of dubstep, look no further. EXECUTIONER is a treat from hell.
32) J.LANG – Shenanigans EP
This jawn bangs. Four cyber bangers loaded one after another. Didn’t learn about J.Lang until recently and I’m thankful I did. Check out the review of his latest project, Protonoid here. Constantly upgrading, J.Lang is a force to be reckoned with in experimental bass music. We’ll be on the look out for more releases. Check out J.Lang’s release on BEET RANCH.
I mean holy shit. Not to mention J.Lang’s Overcomplicated EP released only a few months prior. This guy’s on fire.
31) Pluto Era – The Deep Breath
Pluto Era’s ability to capture mind-melting bass lines, psychedelic atmospheres, and uncanny compositions are a must listen. Take a trip with “The Deep Breath”, an under appreciated album, drawing inspiration from the Tippershere while still maintaining individuality and a unique sound.
30) SVBLIMINAL – THANATONAUT
I owe SVBLIMINAL for aiding my transition back into riddim. She runs a popular instagram account, showcasing new WIPS, riddim chops, and behind the scenes madness. She’s hilarious. And her bubbly personality, ear for good music, and quality content keeps me returning. THANATONAUT breathed fresh air into the riddim scene, opting for a thematic concept album, something a bit different. Get lost in the void as we confront our deepest fears with SVBLIMINAL.
29) WRAZ. & MYTHM – CLOAK AND DAGGER
This project is fire. Front to back. Banger after banger from two certified dub masters. If you’re looking for a refreshing take on riddim, this project is for you. Seriously, can’t for another collaboration. Is that possible?
28) BackLeft – Gene Driver
This was the first project I heard from BackLeft, and guess what? I’m a fan.
Featuring kick ass halftime beats, neurohop neurosis, and original composition, this project is nuts. Heavy, to say the least.
A foreshadow of much more to come.
27) Soulacybin – Bug Eyes
Another name I regret not seeing last year. Soulacybin proves why he’s not another “Tipper Clone”, pushing original composition, psychedelic atmospheres, and upbeat bangers, see why Soulacybin’s making a name for himself in bass music. The Philadelphia native is proof the local scene has nothing but potential.
26) Sqonk – Groovy Smoothie.
Despite a terrible year, there were silver linings. Seeing Sqonk was one of these silver linings. A talented producer, it feels like somebody’s filling my car’s gas tank with pure liquid LSD. High octane, ignition on. Let’s get groovy. Highly recommend this up & comer. A Pennsylvania native, when not occupying a music studio, find Sqonk roaming the Appalachian Mountain ranges like a true PA legend.
25) Hokey Boi – Upturn
Have you heard of Hokey Boi? You will after his latest project “Upturn”. Hokey Boi brings the bangers, challenging listeners with textured bass lines. and psychedelic intrusions. There was no shortage of Hokey Boi last year, dropping multiple EP’s but finishing the year strong with “Upturn”.
24) Fika – Deprivation EP
Fika, who the hell is Fika? Dropping two EP’s within a few months, Fika stuns listeners with overweight bass lines and bellowing beats from halftime hell. Like somebody’s trying to fit a floppy disc in a USB port. If you’re into groovy mind-melting lunacy, this is for you.
23) Humandala – Toasty In Happy Computer // Bad Operator
One of my biggest regrets is missing a Humandala show. What a project. I’ll be honest, I didn’t know about this project before “Happy Computer//Bad Operator”, but boy am I glad I showed up to the party a little late, regardless.
If you’re looking for the freshest sounds is psychedelic bass music, look no further. This project is incredible.
22) BREAD WINNER – little songs
Does this guy ever disappoint? Seriously, funky banger after funky banger, this guy knows how to party. Wouldn’t recommend sleeping on Bread Winner. He’s also one of the more accessible artists on this list, less sound design mayhem and more danceable beats and grooves. Bread Winner is just that. A winner for 2024.
21) MYTHM – Mind of Madness
This is one of the first projects from 2024 I remember enjoying. Everything MYTHM touches turns to gold. Don’t believe me? Check out “Mind of Madness” and his riddim collaborative project with Wraz. This guy is dope.
20) Mr. Bill – Mechanomorphic
Does Bill even need an introduction?
One of the leading influences in bass music, Mr. Bill proves why he’s always a relevant name in bass music, simultaneously showcasing features from Vctre, COPYCATT, Underbelly, and more. If you’re looking for an education in powerful production, Bill is always an option. I missed an opportunity to see Mr. Bill and I promised myself. Never again.
While not typically a fan of the more upbeat EDM sound, focusing more on the dark and dirty, Mechanomorphic has a track for everybody.
19) Hooligan – No Sight
I was excited for this release, following Hooligan’s work over the past years. Front to back, this is a strong example of strong beatsmithing: Textured Organics being one of my favorite tracks of the year. Stay tuned for more.
18) Herbalistek – Diraliavoid
Following the hype from Tipper & Friends, I discovered Herbalistek’s Diraliavoid. A victory for experimental dubstep, exploring liquid gold sound design and experimental beats. This album is different, uncanny, weird. Wet. Highly recommend for anybody brave enough to venture out of bounds.
17) Audio Goblin – Molting
Listening to this project recently, I would’ve felt wrong leaving “Molting” off the list. Audio Goblin is hot right now. There is no wasted space on this album, only a smooth journey. If you want the best in contemporary glitch hop, you have arrived.
16) Noer The Boy – Mr. Gibbons EP
Dude this project is amazing, seriously. Why is Noer The Boy so slept on?
Noer constantly reminds us why he’s a ‘vanguard’ in psychedelic bass music.
An innovator, pioneer, and inspiration to many, especially those of us who don’t understand music theory and rely on sound design and interesting composition.
15) Sighless – Roses of Silk
I loved this project. Neuro ambient horror. Experimental dubstep. Glitch.
Sighless brings the intensity with Roses of Silk. If you’re looking for something intense, dark, and vibrant with creativity, this is for you. Heavily anticipating another release.
14) ONHELL – Sandía EP
I listen to this project. A lot. Its an easy listen, featuring crisp production and forward thinking bass. If you’re looking to explore the darker side of ONHELL, this is for you.
13) Ginseng – Miracle Surface/Catfish Conundrum
I love Ginseng. This guy knows how to produce, offering a downtempo and uptempo EP last year, Ginseng does it all. Because both EP’s capture such different vibes and atmosphere and both released in 2024, I’m including both on the list. Why not, the more Ginseng the better!
12) Swampz – CHROME TO YA DOME
This project fucks. A mixture of experimental bass, dubstep, and trap, this project rewinded to the days of Skepp & Hawk, the days of head nodding beats, and body numbing bass. The good ol days.
11) Hyper Heaven – Lord Genmu
This project was on repeat upon release. A Bleep Bloop feature, seriously? In what well did you find Bleep Bloop? Front to back, this project is exceptional in every way, filling a void in the need for intrusive, distorted bass music.
10) Nvctve – Viscera EP
Easily one of my favorite artists, and saw Nvctve open for Resonant Language. A life changing experience, this guy is the future of dubstep and halftime, often combining the two genres into something he calls “Nightmare Music”. Check this out, yo.
9) DIGITIST – DEMONSTRATION OF FORCE
The only EP I reviewed last year, due to various unforeseen circumstances. However, Digitist is probably my favorite name in dubstep. Powerful, lurching sound design that penetrates the soul. Aggressive, angry, minimalistic, yet simultaneously complex
8) Finding Balance – Deescawa
Who knew Russia had an underground bass scene? There were few projects I listened to as much as “Finding Balance”. This project is original as hell, featuring halftime beats, neuro funk, its hard to put a finger on the genre, drawing inspiration from across multiple genres. This project is dope. Moody with fangs.
7) NEWSENSEI – Look What They Left Of You
NEWSENSEI released music last year? Yeah, some 10+ projects. However, out of all the recordings, this was my all time favorite. It’s something about the Grateful Dead references, resurrecting bass lines, and simplicity. It’s a perfect project and received absolutely no reception whatsoever. A cult classic.
If you own a subwoofer, you’ll see what I mean.
6) Cloud D – Shelter From The Storm
Another underrated project, “Shelter From The Storm” proves why Cloud_D is one of the hottest names in bass music. Carving out his own niche, Cloud_D explores cloudy atmospheres, dark corners, and the macabre. A project that weighs emotionally on the listener, while simultaneously calling to action. This project is thought provoking, inspiring, and original.
5) MINDEX – Resurrection Machine EP
A testament to production skills, “Resurrection Machine” is what happens when you cross beautiful chords and lovely ambiance, with quaking bass lines, ominous glitch, and symphonic compositions. This is for the heady heads.
4) The Gaslamp Killer & Jason Wool – ANANDA
This is a real project? Yes, drawing inspirations from the LA Beat Scene to underground experimental bass, this project is a testament to inspirations like the Low End Theory venue and Flying Lotus. This project feels wholesome. Nostalgic. It’s less danceable, more reliant on a vibe.
3) Onyx Garden – Xenophyonophore
I’ve been following Onyx Garden since his project CNXDRSON, and can tell you nobody saw the Onyx Garden project coming. Rebranding and releasing multiple albums, Onyx Garden proved he’s one of the hottest names in bass music and idm, drawing listeners into a completely original world of textures, landscapes, and emotion. This is a truly special project.
2) Mickman – You Have To Start Somewhere
Mickman’s cheerful, upbeat energy is palpable on his releases. The vibrant producer proves time and time again why he’s risen to festival headliner, featuring a wide array of emotions and production influences, Mickman’s “You Have To Start Somewhere” is proof Mickman’s no fluke. Proof Mickman’s only getting started. Listeners were teased with bits from the album on the Mickman Mini Mix and were surprised to find a completely new arrangement of tracks on “You Have To Start Somewhere”. How sick.
1) Seppa – See It Through LP
I was fortunate to see Seppa last year, which meant I heard “See It Through” played live. Silly me, I didnt even know Seppa released a new album and was floored when I heard the tunes over a professional sound system. Upon the shows conclusion, I stayed glued to the LP for the remainder of the year, and continue to listen. It’s not difficult to see why Seppa remains a pioneer in the genre of neurohop/glitch hop.
THE BADBOOB 